A low wide view shows performers spread across the stage, with two bending in the foreground and a line of others under overhead lights.

Online2020

Love & Information

The Production

ArtsEd’s MA Acting 2020 graduates performed Caryl Churchill’s Love & Information as an online streamed production directed by Stephen Hudson. The production was made available for digital viewing from 28 September 2020.

30 photographs in the curated edit

Director: Stephen Hudson
Movement Director: Gaby Nimo
Commissioned by: ArtsEd
Photography: Steve Gregson

A smiling performer holds a red rose close to her face against a dark stage background.

An ensemble stands in a tight cluster on the black-box stage, with one performer in a checked shirt facing forward and others watching behind.

One seated performer leans in close to another as if whispering, both framed low against the dark stage wall.

A wide stage view places two young women apart in the black space, one standing and one seated under pools of overhead light.

Two performers on a sofa laugh together, one raising a bent arm while the other smiles beside him.

Two performers in bright patterned robes move forward with open-mouthed expressions, caught in an energetic stage moment.

A red-haired performer lies on the floor, absorbed in a phone held close to the reflective stage surface.

Two performers kneel on colourful yoga mats in a wide black-box stage view, with others seated in the background.

A performer in a teal robe looks ahead with a wary expression while a blurred figure occupies the foreground.

A group crowds around a laptop on a sofa, laughing and reacting together in front of a chalkboard wall.

A solitary performer sits hunched on a chair beside a dark wall, resting his head in one hand.

Performers sit low among cushions, one speaking animatedly while another reaches out across the group.

A performer in a colourful shawl stands alone in a wide pool of stage space, arms slightly open beneath overhead lights.

Two seated performers at a table share a lively exchange, one laughing as the other leans in from the foreground.

A performer wearing red boxing gloves faces another figure in a blue jacket, the gloves brightly lit against the dark stage.

Two performers lie on the floor and sofa under subdued light, with a third figure standing in shadow near the back wall.

One performer leans over a desk toward another seated performer, creating a sharp confrontation under warm stage light.

Two performers lie on the floor side by side, looking at a small screen held just above the stage surface.

A group of performers stands shoulder to shoulder in a tense ensemble arrangement against black curtains.

Two performers lean over a phone at a desk, their heads close together in focused concentration.

Two performers sit across a small round table in a wide black-box composition, their gestures mirrored across the tabletop.

A performer lies on the floor using a phone while another bends over her from behind, creating a compressed low-angle scene.

A performer in a colourful patterned wrap stands before a chalkboard wall, looking upward in a concentrated solo moment.

A performer in a tan jacket stands behind a table with his hands open, speaking into the dark space.

Two performers sit on cushions near the floor, one gesturing with a small object while the other watches closely.

Two performers sit on the floor around a board game, one reaching toward pieces spread between them.

A young performer in a pale top gestures with both hands in the foreground while another sits farther back on a bed-like set piece.

A performer in a grey top gestures to his chest while facing another performer beside a chalkboard covered with marks.

Three performers gather around a sofa, one seated with hands pressed to her head while the others occupy the space around her.

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Urinetown

Andrew Lloyd Webber Foundation Theatre, ArtsEd2020

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